The most telling improvements have been made in the area where Pro-Q already stood out from the crowd: its graphical user interface. The range of Q values available in Pro-Q 2 also goes further into the realms of vertiginous steepness than the original. Some of these are quite subtle, like the small gear wheel that now appears between the Gain and Q dials when you create a parametric EQ band. Fabfilter themselves, though, have not been so complacent, and version 2 of Pro-Q offers a positive avalanche of new features. Simple, informative, flexible and unhampered by trying to look like a piece of hardware from 1968, Pro-Q made it easy to do whatever needed doing, whether that was gentle tonal correction, notching out an annoying resonance, clearing up a muddy low end or any of the other innumerable tasks for which one might reach for an equaliser.
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