As with War of the Worlds, Britain has had its own share of alien invasion tales on the big screen, often with deeper underlying themes. These stories extended to the silver screen, featuring both aggressive and peaceful encounters. As the years progressed, stories of infiltration, war, and occupation by these extraterrestrial invaders became all the rage. Wells and The War of the Worlds in 1898, though visitors from outer space predate Wells’s novel. The idea of extraterrestrial life in fiction goes back as far as the Renaissance, but the idea of an alien invasion originated with H.G. Anglotopia’s Grand Adventure – Land’s End to John O’Groats.Great Britons Book: Top 50 Greatest Brits Who Ever Lived.101 Budget Britain Travel Tips – 2nd Edition.ltimate List of Funny British Place Names.British Slang: Tea Time – British Words for Tea and Tea Related Culture.British Slang: Your Guide to British Police Slang for the Telly Watcher.British English: The Top 50 Most Beautiful British Insults.
However, Carlos falls flat the most as a character, as he openly justifies why he is the way he is even in a moment of life or death. They are in it for not only their survival but each other’s as well by the end. Perhaps that is one of the special appeals of alien movies: people begin to realize what they took for granted when the world begins to splinter before their eyes. There is also quite a bit of character development outside of revealing their backstories. Since they are trapped inside the van and only have each other, they form unique bonds that can only be severed through death. Even as the setting and world around them become more inhumane and unfamiliar, these characters increasingly become the only source of familiarity left. More information and context are added to their specific backstories, fleshing them out and making the viewer want to root for them.
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Marta is the rebellious teenage child who talks back and tries to act like she is older than she actually is, while her mother wants to have a relationship with her and does not know how to create said relationship.Īs the plot progresses, the true depth of the characters becomes exposed gradually. Mariela is the religious Mexican who just wants to come home to see her father, praying when the opportunity seems just about right. Carlos is the man who was once a bullfighter riding around in a van after losing his eye, talking to his buddies about sports, and trying to pretend that he is a macho man. On the surface level, The Passenger’s cast of characters each represents some sort of stereotype. It would detract from the overarching stories about the characters and their journey to survive, so it seems fitting to keep its scope small in terms of story. That plays into the movie’s favor, as the viewer does not need any of those external details. There is no fluff trying to figure out where these aliens come from, and the hints of an overall invasion are there but not thoroughly discussed. They constantly scream and shriek, have an unclear ability to teleport, are capable of chasing a moving car, and have a penchant for beheading those they might see as unappetizing. It is bloody, there are some fairly interesting special effects involved with how the aliens look and act. Some shots pay homage to their distant alien and science fiction ancestors as the alien howls at the sky while looking for its prey.
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One of the best parts about the movie is that it is not shy at all about what it chooses to show on the screen. When that process is first revealed, one might think it is completely and utterly disgusting. As it switches from human to human, it leaves behind a husk that looks like it is in the process of decay. In a similar vein to movies like Invasion of the Body Snatchers, these aliens are taking over bodies one by one, consuming their guts, then demonically hunting down the next host to consume. The core premise behind The Passenger is that these four strangers are now up against the alien invasion.
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